An article with the above title appeared in The Florida Writer, August edition; it was written by Mary Ann de Stefano who is the editor of the Writer. She says in LinkedIn, “I am a word nerd with techie tendencies and a marketing bent, and I want you to believe in yourself and your writing.” Through her website MAD about Words, she offers a number of services for writers.
Mary Ann de Stefano
What particularly interested me in her article is that I am on the verge of finishing my latest novel and I have a strong feeling that my work will benefit from a healthy does of editing (by me).
In the article Ms de Stefano says: “Literally revision means to ‘see again’. But how do you see your writing from the detached perspective when you’ve been immersed in it? Here are five ways you can approach revision with a fresh look at your manuscript.
1. Put it away. Take the longest possible break between finishing your draft and revision. Time away from your work will give you the intellectual, emotional and psychological distance you need to see it anew. Unless your bound by a contest or contract deadline, let your book length work rest for six weeks or more.
2. Change the scenery. If your habit is to write on a computer, print a hard copy of your manuscript for review. Make the printout look different from the screen version by changing the font. You might be surprised by how reading your work in Helvetica rather than Times New Roman changes not only how your eyes see the work, but how your mind sees it, too. I know someone who had a bound book created from her manuscript on Lulu, which she said was cheaper than having it printed at one of the office supply stores. She says looking at her work like a real book changed the way she read it. She read quickly as she would a real book, and when she saw problem areas, she marked them quickly with a sticky note for later. Then she went back through and reworked the areas that had caused her to stumble or pause on the first read.
3. Read it aloud. Hearing your writing read aloud brings it out of your head and gives you a new opportunity to see it (hear it) with revitalized attention. Read your manuscript aloud from beginning to end, even though a long work might take several days. Resist the urge to stop and tinker with a sentence or a scene. If you come across something that needs further work, mark it for further review and move on quickly. You might try recording and playing back your reading or having a trusted friend or writing partner read the work to you.
4. Take a bird’s eye view. Spread a chapter or two out on a long table- or on the floor – so you can view each page individually. Look at your pages from above. See walls of unbroken text or dense paragraphs (all narrative?) See pages with nothing but short loose paragraphs (all dialogue?) See sections where all the paragraphs are virtually the same length? Mark these sections for review, because they may indicate issues with balance between dialogue and narrative or problems with proportion, rhythm or pacing.
5. Do it again. Retype your entire manuscript (or a problem chapter). This tactile approach – going over your work word by word – is bound to spark new ideas.
Take the time to revise and revise again. Resist the urge to seek unmitigated praise for a first draft or try to get others to ‘fix’ your work by sharing it with beta readers or sending it off to and editor. Even the pros don’t get it ‘right’ the first time.”
My intention is to take all of Ms de Stefano’s advice (except no. 5) and I’ll add a sixth: work from a to do list. As the writing has progressed, I’ve noticed some thematic issues, character development problems, and occasional bad writing habits that will need to be addressed.