This novel attracted my attention because it has good reviews. It also has about five pages of glowing blurbs; how can I go wrong?
The Immortalists was written by Chloe Benjamin, who also wrote The Anatomy of Dreams, which received the Edna Ferber Fiction Book Award. She is a gradate of Vassar College (which was a happy hunting ground for dates when I was at university) and she received her MFA in fiction from the University of Wisconsin.
The Immortalists is set in 1969 in New York City’s Lower East Side. Four Gold children, aged between seven and thirteen, are looking for a travelling psychic who can tell them the date of their individual deaths. The first to die, on the forecast date, is Simon, the youngest, in his early twenties, of AIDS in San Francisco. Klara, two years older than Simon, and a magician, who not only wants to entertain her audience with her magic and her death-defying feats, but wants the audience to believe in magic, dies on schedule of an apparent suicide in Las Vegas. Klara’s older brother, Daniel, a doctor, becomes involved with a policeman who is investigating the psychic in connection with Simon’s and Klara’s deaths. He is shot by the policeman as he tries to kill the psychic, whom he has tracked down; he, too, dies at the appointed time. This leaves only Varya, who is expected to die at age eighty-eight. Varya is involved in experimental work with primates to prove that lifespan can be increased by severely limiting the intake of particular foods, but at the cost of a comfortable life. Varya leaves the experiment and the novel ends with Varya, at least thirty years before her appointed death, accompanied by her mother, Gertie, and Klara’s daughter, Ruby, while Ruby puts on a memorable magic show.
Ms Benjamin does a good job in persuading the reader to suspend disbelief regarding the reality of the psychic: we are not surprised when the first three siblings die, nor are we surprised that the police would be investigating. What I particularly liked about this novel are the emotional connections between the siblings: love, regret and sorrow. The character of Simon is extremely well drawn: his sense of urgency to experience his homosexuality at the expense of self preservation is clear. Klara is also a unique character for her fascination with and commitment to magic.
For me, Daniel and Varga are not as clearly defined. For example, what drives Daniel to confront the old woman mystic with a gun, and what drives Varga to be so preoccupied with her stringent diet when she has little to show for it except longevity. I am also not clear as to why and how Klara chose suicide, or the character and motivation of Eddie, the policeman. There is a valid attempt to suffuse the novel with an air of mystery and magic: a very difficult task, which I think is only partially successful.
This is a unique story with potentially very interesting, diverse characters; it has mystery and emotional content; it has great promise. I’m afraid the editor let the author down slightly.