There is an article by Yohannes Lowe in The Daily Telegraph of June 1st with the above title.
Yohannes Lowe works as an apprentice for The Telegraph and won the National Council for the Training of Journalists apprentice of the year award in 2019. He says, “I have always enjoyed talking to people and finding out about their personal stories. That interest combined with a hunger for current affairs, made journalism a natural fit. But with no formal writing experience, I took up a teaching assistant role after graduating from university in 2017. It did not last more than six weeks. I then looked for reporting jobs. An NCTJ apprenticeship was vital for training me in the basic skills of the profession, allowing me to be competent in a national newsroom with little formal experience. The apprenticeship, which included regular teaching sessions at PA Training was great as it taught me to write shorthand quickly and the basics of media law and court reporting.”
The article says, “Budding authors have been inundating publishers with manuscripts during lockdown, with dystopian novels being among the most commonly offered. The time freed up by working hours from home has given many aspiring authors more hours in the day to finish off their book proposals.
Avon, a commercial fiction division of HarperCollins, has seen ‘unagented submissions’ increase threefold between March and May compared with the same time last year. They have received a large number of crime and thriller novels from writers who are drawing their inspiration from their pandemic-induced social surroundings. Literary agents, which represents writers and help send their scripts to publishers, have also seen a growing trend for dystopian themes.
Sarah Revivis-Smith, a fiction reader at the Eve WhiteLiterary Agency, said, “I would say we’re seeing lots of people working out their fears of the current situation through dystopias, with submissions that either explore Covid-19 overtly or have an unknown virus or disease spreading through humanity.”
The UK’s publishing industry reached record sales of £5.7 billion in 2018, consolidating its position as the globe’s top book exporter.
Literary agencies are expecting even more manuscripts to flood in by autumn from those who started in late March.
Sam Copeland, director of RCW literary Agency, which boasts Zadie Smith and Kazuo Ishiguro among its published authors, added: “Submissions have continued to be relentless during lockdown, increasing from around 80 a week to 100 . . . I am expecting that number to rise again still further, though, with all the people who have been writing their novel in lockdown. ‘I have had the odd Covid quick book in, funny books, that sort of thing, and some canny authors have tried twisting their pitch to reflect the lockdown. But I think the main rush of Covid books is still to come.'”