Sharon Short’s final segment on Point of View hasn’t been published yet, so let’s look at writing sex scenes. Jessica Martin has a piece in Writer’s Digest titled ‘How to Write a Sex Scene Like Nobody Is Watching’.
Jessica Martin is a lawyer by trade, a writer by choice, and a complete smart ass by all accounts. Based in the suburban wilds of Boston, Jess shares her life with a finance geek, a small sass-based human, and a pair of dogs named after Bond characters.
Ms Martin writes, “There are some key scenes in your typical rom-com that writers have to nail. Chief among them is the sex scene. But writing one can stir up all sorts of feelings: anxiety, excitement, a bone deep certainty that if you write a bad one, no one will ever let you live it down. It runs the gamut and while every writer has a different strategy, here’s mine.
The name of the game is distance.
First up physical space. To actually write a sex scene like nobody is watching it helps if nobody is actually watching. For me, this means leaving my house because although I have a perfectly good writing space, there’s a six-year-old beastie who likes to barge in and demand to know why caterpillars don’t eat meat. Or whether you can hear a fish fart under water. Kid, I have no idea how to answer that.
This house I speak of is also occupied by two scheming dogs who lie in wait until I’m in a writing groove. They drop their heads on my leg and drool until I have no choice but to submit to the world’s most devastating puppy dog eyes, bursting with longing that only translates into one thing: Hey human, go fetch me a snack, will you?
And then there’s the husband.
I hope this isn’t shocking to anyone here, but I’ve had sex with him. I don’t want to think about him when writing a sex scene, because I’m pretty sure that violates the sanctity of the marriage pact or something—I don’t know, it’s just weird.
In any event, I vacate the house when I need to write a scene that involves the words thrust, pant, or moan. During COVID, there weren’t a ton of options for non-germy solitude, so I wrote the majority of these scenes in the front seat of my car parked in a state forest. Wearing a ratty hoodie and sucking down tea from a thermos for warmth. Hey, I live in New England and the nights are chilly. You know what else the nights were like in that state forest? Decidedly, not private.
What I didn’t realize is that after the park shuts down for the day, it’s apparently a hotbed of illicit activity. As teens swarmed the woods armed with their flashlights and pilfered booze, they would sometimes comment on the weirdo sitting alone in her car and wondering if I was a NARC. So, I’d need to wait until they’d dispersed into the woods like horror movie cautionary tales before I could get down to the good stuff.
OK, so now I’m physically alone. Now I need to be mentally alone.
Recently, I was out to dinner with my boss, who casually mentioned he’d bought 50 copies(!) of my book for our entire legal team. I was incredibly touched but also momentarily panicked as I sputtered that it was a rom-com … and when the room went silent, I blurted out, “There’s a sex scene.”
As every eye in the room turned to regard me, a colleague asked, “What kind of sex scene we talking here?”
“A tasteful one,” I replied archly (or at least nonchalantly. Please let me be remembered as being calm and cool in that moment).
It wasn’t like I hadn’t thought about it before, it was just that interaction finally drove home that someday, somewhere, my husband, parents, kid brother, my actual kid (when she graduates to books without pictures), friends, neighbors, coworkers, former classmates whose Instagram accounts I follow but otherwise wouldn’t recognize, my incredibly bendy yoga instructor and a whole host of others might one day pick up my book and wonder, SO THAT SEX SCENE, IS SHE DRAWING FROM PERSONAL EXPERIENCE?
While I freely admit to stealing snatches of conversation (especially insults, I love standing behind teenagers in lines), character traits I admire in my friends, and sometimes wholesale shenanigans from my free-wheeling law school days, I draw the line at digging into my own personal cache of sexcapades. Why? Frankly, because I’d like to look that subset of people in the eyes again. Call me a prude, but I like to have a bit of an air of mystery about me. That and I don’t want anyone thinking about my sex faces.
But I’ll peel back the curtain and allow you a peek into my process.
There I am, sitting alone in a car in a dark forest (OK, that sounds creepy, but bear with me) and I warm up by watching YouTube compilations of my favorite on-screen couples. You know the ones, set to angsty music where beloved characters eye each other across a room, a shared smile passing between them. Or maybe it’s that near brush of the lips or a finger tracing a bare collar bone, a shirt goes up and over the head. For me it’s less about what the characters are actually doing and more about that delicious moment of mutual (and completely consensual) commitment to the path of no return, no going back to being friends or enemies or indifferent strangers—it’s on.
Once I’m there, then I imagine my characters, their expressions, their voices, their sex faces (not mine, thank you very much) and what the timbre of their sex scene is. Is it slightly humorous, two people fumbling around knocking stuff over in their jubilant haste to get to one another? Is it full of murmured teasing as one character deliberately seduces the other? Is it rushed but somehow decadent because it’s going down somewhere where any moment our lovers could be discovered?
That’s the feel part.
Then comes the mechanics. I cannot remember where this nugget of wisdom originated, but someone once told me that sex scenes are like fight scenes. Watch the hands. I love this, because it makes me go back and smooth out the scene once I’ve finished with the heady feeling part to make sure it all syncs up. For example, if his pants were carelessly discarded like caution to the wind on the floor a moment ago, as he slides up her body, his hands worshipfully tracing the topography of her hips, then he shouldn’t be reaching for protection in his pocket, right? It has to be in the bedside table or if they’re outside, maybe she’s the resourceful one who still has pants on and whips out the foil packet with a triumphant cry? Details count.
Once I’ve nailed the feeling and true up the details, I break the veil of solitude, I leave the deep dark woods (I’m sure you psych majors are having a field day). I slip back into being a lawyer, a wife, a mother, that person who almost always uses a turn signal when changing lanes. I send the sex scene to my beta readers, then my agent and my editor. I’ll ask them, “This isn’t gross, right?” and that’s usually all I need to feel confident that it’s there.
At least until someone tells me they bought fifty copies of it and they’re giving it to all my coworkers.”